The Adventures of Tintin is a well-known series of comic books written and drawn by the Belgian writer-artist Hergé. Over 200 million issues of comic books featuring Tintin have been published and translated into 40 languages. The hero of the series is a young reporter named Tintin, who travels around the world landing himself in a variety of adventures.
The character of Tintin was created on January 10, 1929. His 75th birthday was celebrated in 2003. But before he created Tintin, Hergé had already drawn a comic featuring Totor, a boy-scout with a striking resemblance to Tintin. Les aventures de Totor, chef de patrouille des Hannetons appeared in the magazine Le Boy-Scout Belge between 1926 and 1929.
The narratives are diverse: some stories are swashbuckling adventures with elements of fantasy, some are mysteries or science fiction, others have political or cultural commentary. The most notable stories take place in well-researched early-20th-century historical settings. All include plenty of slapstick humor, offset in later albums by dashes of sophisticated satire.
The comic has been admired for its stylish drawings, its exceptional direction and, in later stories, the painstaking research that went into the background story. It fits in with other comics in the great 20th century tradition of the European humouristic adventure strip (such as Spirou under Franquin and Goscinny's Asterix). The series was an inspiration to famous movie directors such as Steven Spielberg and to painters such as Andy Warhol.
The hero of the series is a young man of more or less neutral attitudes, less colorful than the supporting cast around him. His actions never result in mishap or misfortune, as the other characters' do. As such, he is a real hero.
Tintin is a youngish reporter, who most of the time dresses in brown plus-fours and a white shirt and blue pullover (see Tintin et Milou image). Only in the last published album, Tintin and the Picaros, he changes his daily garment, wearing brown jeans and loafers. He lives in a boarding house on 16 Labrador Road in "the city", but often stays over at the opulent estate of his friend, Captain Haddock. Before Picaros, we learn very little about Tintin, and any characteristics he has in those stories are squarely in service of the story. In Picaros, however, we learn that he drives a moped and practices yoga in his spare time. Some fans consider this album therefore a betrayal of the image they had of Tintin, which could be built easily on the neutral view Hergé originally provided.
Interestingly enough, although almost every adventure features Tintin hard at work at his investigative reporting, only once in the entire series does he actually turn in a story.
The seafaring captain was introduced in The Crab with the Golden Claws; he is described in more detail at Captain Haddock.
Often badmouthed, Haddock is usually the target of the slapstick-like scenes of the comic. Haddock was a hard drinker, especially of whisky, and his bouts of alcoholism were often used for comic effect, for they usually resulted in some minor unpleasantness for him; occasionally, they could have ended with more tragic consequence. The Captain's coarse humanity acts as a counterpoint to Tintin's often implausible heroism; he is always quick with a wry comment whenever the boy reporter gets too idealistic. Haddock is also good-hearted, loyal and brave, however. For instance, he acts unswervingly to rescue Cuthbert Calculus from the Incas.
Physically, he is probably based on Bob de Moor, a longtime collaborator of Hergé's. After Le Tresor de Rackham Le Rouge, Haddock lives in the Chateau de Moulinsart (Marlinspike in the English translations), which is modeled on the central section of the real Chateau Cheverny.
In later stories, Hergé increasingly identified with Haddock rather than Tintin.
See also:
(aka, Professor Tryphonius Sunflower) The hard-of-hearing professor invented many objects used in the series, such as the Moon rocket, a one-person submarine and an ultrasound weapon. He is an idealist and seeks to benefit mankind by inventions such as a pill that cures alcoholism by making alcohol taste horrible to the patient. His inventions, such as this pill, are usually disliked by Haddock, although Calculus usually interprets this the other way round.
His deafness is a frequent source of humour, as he repeats back what he thinks he has heard, usually in the most unlikely words possible: "attachez votre ceinture" (fasten your belt) is repeated as "une tache de peinture?" (a paint stain). He does not admit to being near-deaf and insists on having just poor hearing. This contrasts with the Duponds' spoonerisms.
On only one occasion did his hearing improve, and that was in the "Moon" books. Here, he has a hearing aid inserted, and this made him a more serious character (that is, as long as the word "goat" is not uttered in his presence). At the conclusion of that adventure, however, he lost his hearing aid and went back to his old deaf self.
It's widely admitted that the Calculus character was inspired by Auguste Piccard. Calculus first appeared in Red Rackham's Treasure, and was the end result of Hergé's long quest to find the archetypal mad scientist (For instance, Dr. Sarcophogus in Cigars of the Pharaoh, Prof. Alembick in King Ottokar's Sceptre).
Snowy is Tintin's faithful fox terrier. Very early in the series he talks to Tintin. Later, he occasionally makes a haughty comment, but none of the human characters can understand him. Like Captain Haddock, he has a predilection for whiskey. Milou was the name of Hergé's first girlfriend.
Two clumsy detectives who look like twins, providing much of the comic relief throughout the series. They are afflicted with spoonerism. They usually wear bowler hats and carry walking sticks. They are thoroughly incompetent and always bent on arresting the wrong character. In spite of this, they somehow get entrusted with delicate missions - for instance the Syldavian space project.
When sent on missions abroad, they insist on wearing the local "costume" of the country they are visiting so as to blend into the local population, but in general only manage to find some ridiculous attire that actually makes them stand apart.
They also provided the name for 1980s synthesizer band The Thompson Twins - who had three members.
Ironically, their characters were based on his actual father and brother, both of which wore matching bowlers.
A great number of other characters also occur in the books:
Humour is an important ingredient of all Tintin albums. Tintin himself is a real hero and thus a very serious character, so it's the secondary and minor characters who have to provide comic relief. Captain Haddock's temper, Bianca Castafiore's singing, and professor Calculus' deafness provide endless material for gags. Thomson and Thompson are real slapstick characters. There are also numerous examples of national stereotyping.
Less obvious sources of humour are the frequent use of puns for names of characters and places, as well as the use of Marols (see below).
The earliest stories in The Adventures of Tintin have been criticized for racist and colonialist leanings, including caricatured portrayals of non-Europeans. However, Hergé changed his views sometime between these early works and The Blue Lotus.
This story, set in China during the then-current Sino-Japanese War, was the first for which he did extensive background research. It criticized Japanese and Western colonial meddlings in China and helped to dispel popular myths about the Chinese people. From then on, meticulous research would be one of Hergé's trademarks.
Some of the early albums were altered by Hergé in subsequent edition, usually at the demand of publishers. For example, at the instigation of his American publishers, many of the black characters in Tintin in America were re-colored to make their race white or ambiguous. The Shooting Star originally had an American villain with a Jewish name, who was changed to a South American with a less ethnically-specific name in later editions.
For a further discussion, see The ideology of Tintin.
In Tintin in the Land of the Soviets, Tintin is introduced as a Belgian reporter who works for a Brussels newspaper. In the original edition of Tintin in Africa he returns to Belgium at the end of the story, and in the first black-and-white version of The Black Island he boards a Sabena plane to return home.
In the post-war colour albums, however, Hergé has removed all references to Tintin's nationality, probably in order to give his hero a more universal appeal. In these later albums, the only subtle reference to Belgium lies in the cryptic languages of the Picaros and the Syldavians, which are based on Marols or Marollien, the Brussels Flemish dialect spoken by Hergé's grandmother. The names of some characters and places are also often puns on words or expressions from this dialect.
(Also see the legend below)
| BW | Black and white, only published much later in book form. |
| + | unfinished work |
| F | film adaptation. Hergé did not write it. |
| n | where n is a number. Several stories are spread over two books, the numbers indicate which books go together |
The books are listed in the order in which the stories first appeared in newspapers or magazines. Land of Black Gold was started in 1939, but was put on hold when World War II broke out. (Sceptre and Gold actually deal with the rising threat of a second big war.) Gold was not finished before 1971.
These fall in to three rough groups (rough outline follows. There are books on this...):
In 1993, after the death of Hergé, his friend Frederic Tuten published Tintin in the New World: A Romance (ISBN 0749396105). In this story Tintin loses his boyish innocence and lives fully, even to excess.
Hergé devised several fictional countries later in the series. Syldavia in particular is described in considerable detail (history, customs, language etc).